As we, smoke that lalala.(Hooo) Memphis Bleek always smoking that lalala.(Hooo) Beanie Sigel, desert eagle to fo' to five.
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45 gun smoke, choke off that Back to the music, I ain't wit all that Plus the feds tappin my music I get all that I'm THE public industry number one Public industry number two is my whole crew R-O-C And I ain't concerned wit' who like me, who like you That's gay, I ain't into likin' dudes no way But get a pen, I can tell you pricks my plans for the future I never make the news again my man'll shoot ya Forget English talk body language I be all over mamis like body painters Pink diamond necklace, strawberry wrist Please excuse yourself, you're very sick Don't confuse me wit marbury out this bitch Run up on me at the light, you could lose your life Muh'fuckas must be smoking they lalala la crack. It's the ROC baby sing, I lullaby Come on! Beanie Sigel, desert eagle to fo' to five. Leather, Denim Cruising Gay Bar AFTERNOON EVENTS PUP NIGHT Sat JULY 15 7 to 9:30pm SUNDAY BBQ SUN JULY 16th 3 to 9pm Open 11:00 am to 2:00 am daily, Eagle Street Grille offers great views of downtown Saint Paul and W 7th St.
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We got brothers full of Arme, mamis in Manolo Bags by Chanel, Louis Vuitton logos All attracted to Hov' because they know dough When they see him, which be European If you're a +te-en+ (ten) chances your wit +him+ If you're a five you know you ridin' wit th-em Sick wit the pen nigga, no position in the world could fix him No prescription, you could prescribe to subside his affliction He's not a sane man, more like reign man twitchin' You can't rain dance on his picnic No Haitian voodoo, no headless chickens can dead his sickness (whoo) No Ouija board, you can't see me dog, nigga you +CB4+ This ain't +Chris Rock+ bitch, it's the ROC bitch And I'm the +franchise+ like a Houston Rocket Nawimean (Yao Ming). To smoke that lalala.(Hooo) Beanie Sigel always smoking that lalala.(Hooo) Memph Bleek always smoking that lalala.(Hooo) It's the ROC mami sing I lullaby Come on! Have you in your long-legged life ever seen a watch surrounded by this much pink ice? (uhh) Look but don't touch, muthafucker think twice Cause the gat that I clutch got a little red light Need a light?.
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I know my English ain't as modest as you like But come, get some, you little bums I take the cake from under the baker's thumbs I bake the cake get two of them for one Then I move the +weight+ like I'm +Oprah's son+ Uhhh, I show you how to do this son Young don't mess wit chicks in Burberry paddings Fake Manolo boots straight from Steve Madden (un-uh) He padded hisself the rap JFK, you wanna pass for my Jaqueline Onassis Then hop ya ass out that S-class Lay back in that maebach, roll the best grass, I ask. Excuse me miss, I'm the shit (do you want me to do it?) You should come, hang wit me, basically (do you want me to do it?) Hold up, skip all the singin' lets go ride tonight, mami (Come on now.Uhhh) (Hooo) It's the ROC baby sing, I lullaby Come on! To quote Beetlejuice, it keeps getting funnier every single time I see it.Memph Bleek always smoking that lalala.(Hooo) Beanie Sigel always smoking that lalala.(Hooo) Neptunes track smoke like lalala. It never took on the sinister edge of the Ouija Board, which had also originally conceived as a genteel entertainment they’re still officially marketed as games, mainly in deference to American fundamentalist hysteria and the lasting influence of The Exorcist, which is strange considering that film’s so ineptly made and ridiculous.
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Unlike the Christian West, where seances took on an unavoidably moralistic, pompous and morbid dimension because of their focus on supposedly speaking to the dead (and also of course because moralising, pomposity and morbidity were among the guiding principles of the Victorian age) the less Manichean and more animistic Japanese incarnation of table turning was conceived primarily as a kind of play, albeit play that could conceivably or nominally be taking place with “real” yōkai like the kitsune (fox spirits) or tengu (goblins). Caption: “Picture of men and women gathered to divine fortune and misfortune through the secret method of Kokkuri.” Very Japanese kitsune (fox spirits) surround them. Japanese illustration of a Western table seance, 1887.